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		<title>The First Page</title>
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		<description>The First Page offers poetry for the everyday. This is not a lesson or a lecture—we're here to carve out a small space for delight, for reflection, for good attention. Each episode, writer and poet Hailey Gaunt chooses a poem to read and explore, drawing listeners further into a poem through insights and anecdotes. But, as usual, poetry is its own explanation:

The poem is not the world.
It isn't the first page of the world.

But the poem wants to flower, like a flower.
It knows that much.

It wants to open itself,
like the door of a little temple,
so that you might step inside and be cooled and refreshed,
and less yourself than part of everything. 

—from &quot;Flare&quot; by Mary Oliver</description>
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		<pubDate>Thu, 03 Nov 2022 16:07:19 +0200</pubDate>
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		<itunes:summary><![CDATA[The First Page offers poetry for the everyday. This is not a lesson or a lecture—we're here to carve out a small space for delight, for reflection, for good attention. Each episode, writer and poet Hailey Gaunt chooses a poem to read and explore, drawing listeners further into a poem through insights and anecdotes. But, as usual, poetry is its own explanation:

The poem is not the world.
It isn't the first page of the world.

But the poem wants to flower, like a flower.
It knows that much.

It wants to open itself,
like the door of a little temple,
so that you might step inside and be cooled and refreshed,
and less yourself than part of everything. 

—from "Flare" by Mary Oliver]]></itunes:summary>
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		<title>One of the evenings</title>
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		<description><![CDATA[James Richardson’s “One of the evenings” has the resonance of an entire life—many lifetimes—even if it proportedly inhabits a single evening. It's a reminder that no moment lives in isolation; each is built on a scaffolding of memories of what did and didn't happen. Like the best poems, this one builds an atmosphere that invites the reader to inhabit mystery, rather than creating a closed circuit of truth. This is the final poem of this podcast, one to be savored again and again. ]]></description>
					<category>Arts</category>
				<pubDate>Mon, 02 Feb 2026 11:55:00 +0200</pubDate>
				<podcast:season>0</podcast:season>
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						<itunes:title>One of the evenings</itunes:title>
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		<itunes:episode>0</itunes:episode>
		<itunes:author>Hailey Gaunt</itunes:author>
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		<itunes:duration>6:58</itunes:duration>
		<itunes:summary><![CDATA[James Richardson’s “One of the evenings” has the resonance of an entire life—many lifetimes—even if it proportedly inhabits a single evening. It's a reminder that no moment lives in isolation; each is built on a scaffolding of memories of what did and didn't happen. Like the best poems, this one builds an atmosphere that invites the reader to inhabit mystery, rather than creating a closed circuit of truth. This is the final poem of this podcast, one to be savored again and again.]]></itunes:summary>
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		<title>On Being Fired Again</title>
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		<description><![CDATA[What is with our insistence to fit our lives into neat narratives that follow the arc of struggle to triumph? Life seldom follows so neat a script. "On Being Fired Again" is Erin Belieu's disobedient reclamation of another perspective. Where others see failure, she finds freedom. This poem comes from her collection, One Above & One Below. ]]></description>
					<category>Arts</category>
				<pubDate>Mon, 26 May 2025 21:35:00 +0200</pubDate>
				<podcast:season>0</podcast:season>
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						<itunes:title>On Being Fired Again</itunes:title>
		<itunes:season>0</itunes:season>
		<itunes:episode>0</itunes:episode>
		<itunes:author>Hailey Gaunt</itunes:author>
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		<itunes:summary><![CDATA[What is with our insistence to fit our lives into neat narratives that follow the arc of struggle to triumph? Life seldom follows so neat a script. "On Being Fired Again" is Erin Belieu's disobedient reclamation of another perspective. Where others see failure, she finds freedom. This poem comes from her collection, One Above & One Below.]]></itunes:summary>
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		<title>At the fishhouses</title>
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		<description><![CDATA[A moment is more than the sum of its parts, but a sum it is--of the sensory input we take in, memories we call to mind, the conscious and unconscious experiences that have accrued in our bodies. Savouring the moment is savouring all of this. Paisley Rekdal's "At the fishhouses" moves between the many planes that exist for us in an instant, exploring its expansive potential. The poem comes from her collection Imaginary Vessels. ]]></description>
					<category>Arts</category>
				<pubDate>Tue, 11 Feb 2025 15:21:00 +0200</pubDate>
				<podcast:season>0</podcast:season>
		<podcast:episode>0</podcast:episode>
						<itunes:title>At the fishhouses</itunes:title>
		<itunes:season>0</itunes:season>
		<itunes:episode>0</itunes:episode>
		<itunes:author>Hailey Gaunt</itunes:author>
					<itunes:episodeType>full</itunes:episodeType>
				<itunes:image href="https://cdn.iono.fm/files/p3048/logo_7675_20250909_210508_1400.jpeg"/>
		<itunes:duration>7:52</itunes:duration>
		<itunes:summary><![CDATA[A moment is more than the sum of its parts, but a sum it is--of the sensory input we take in, memories we call to mind, the conscious and unconscious experiences that have accrued in our bodies. Savouring the moment is savouring all of this. Paisley Rekdal's "At the fishhouses" moves between the many planes that exist for us in an instant, exploring its expansive potential. The poem comes from her collection Imaginary Vessels.]]></itunes:summary>
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		<title>Oral Fixation</title>
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		<description><![CDATA[Poetry allows us to explore who we are while moving beyond understanding. In "Oral Fixation" Alison C. Rollins's examines iconic family lore, piecing together who she is from what has been told and retold. She borrows from linguistics and psychology, looking for meaning even in the slippery in-between. ]]></description>
					<category>Arts</category>
				<pubDate>Mon, 27 Jan 2025 13:00:00 +0200</pubDate>
				<podcast:season>0</podcast:season>
		<podcast:episode>0</podcast:episode>
						<itunes:title>Oral Fixation</itunes:title>
		<itunes:season>0</itunes:season>
		<itunes:episode>0</itunes:episode>
		<itunes:author>Hailey Gaunt</itunes:author>
					<itunes:episodeType>full</itunes:episodeType>
				<itunes:image href="https://cdn.iono.fm/files/p3048/logo_7675_20250909_210508_1400.jpeg"/>
		<itunes:duration>8:01</itunes:duration>
		<itunes:summary><![CDATA[Poetry allows us to explore who we are while moving beyond understanding. In "Oral Fixation" Alison C. Rollins's examines iconic family lore, piecing together who she is from what has been told and retold. She borrows from linguistics and psychology, looking for meaning even in the slippery in-between.]]></itunes:summary>
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		<title>Poem Number 7</title>
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		<description><![CDATA[Pablo Neruda was the quintessential poet, prolific in his quest to not only speak music from the heart but also to inspire humanity in love and revolution. Neruda's career spanned from his teens into his late sixties, when he was awarded the Nobel Prize in Literature two years before his death. His oeuvre is of the most widely published of any poet, so when unpublished poems were discovered in his estate, it was as though his ghost had returned for an encore. This poem comes from the collection Then Come Back: The Lost Neruda, translated by Forrest Gander. ]]></description>
					<category>Arts</category>
				<pubDate>Wed, 22 Jan 2025 21:08:00 +0200</pubDate>
				<podcast:season>0</podcast:season>
		<podcast:episode>0</podcast:episode>
						<itunes:title>Poem Number 7</itunes:title>
		<itunes:season>0</itunes:season>
		<itunes:episode>0</itunes:episode>
		<itunes:author>Hailey Gaunt</itunes:author>
					<itunes:episodeType>full</itunes:episodeType>
				<itunes:image href="https://cdn.iono.fm/files/p3048/logo_7675_20250909_210508_1400.jpeg"/>
		<itunes:duration>8:52</itunes:duration>
		<itunes:summary><![CDATA[Pablo Neruda was the quintessential poet, prolific in his quest to not only speak music from the heart but also to inspire humanity in love and revolution. Neruda's career spanned from his teens into his late sixties, when he was awarded the Nobel Prize in Literature two years before his death. His oeuvre is of the most widely published of any poet, so when unpublished poems were discovered in his estate, it was as though his ghost had returned for an encore. This poem comes from the collection Then Come Back: The Lost Neruda, translated by Forrest Gander.]]></itunes:summary>
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		<title>Telling the Wasps</title>
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		<description><![CDATA[Sorrow undoes our sense of order. But that doesn't stop us from wanting to organise it into stages or map its timeline. In "Telling the Wasps", poet Paisley Rekdal creates an intimacy with grief, speaking to rather than about it and enlisting other species as audience for her pain. ]]></description>
					<category>Arts</category>
				<pubDate>Mon, 20 Jan 2025 15:35:00 +0200</pubDate>
				<podcast:season>0</podcast:season>
		<podcast:episode>0</podcast:episode>
						<itunes:title>Telling the Wasps</itunes:title>
		<itunes:season>0</itunes:season>
		<itunes:episode>0</itunes:episode>
		<itunes:author>Hailey Gaunt</itunes:author>
					<itunes:episodeType>full</itunes:episodeType>
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		<itunes:duration>6:53</itunes:duration>
		<itunes:summary><![CDATA[Sorrow undoes our sense of order. But that doesn't stop us from wanting to organise it into stages or map its timeline. In "Telling the Wasps", poet Paisley Rekdal creates an intimacy with grief, speaking to rather than about it and enlisting other species as audience for her pain.]]></itunes:summary>
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		<title>Black Magic Brother</title>
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		<description><![CDATA[Addiction casts a spell. It can bewitch and beguile and create an illusory world within a world. It is a sort of theatre with a stage, performer and involuntary audience. For the closest of audience -- friends and family -- denial and hope prolong the painful drama. In "Black Magic Brother", Natalie Diaz describes the behavior of an addict and its effect in a family as a kind of sorcery. The poem comes from her 2012 collection, When My Brother Was an Aztec. ]]></description>
					<category>Arts</category>
				<pubDate>Thu, 02 Jan 2025 13:00:00 +0200</pubDate>
				<podcast:season>0</podcast:season>
		<podcast:episode>0</podcast:episode>
						<itunes:title>Black Magic Brother</itunes:title>
		<itunes:season>0</itunes:season>
		<itunes:episode>0</itunes:episode>
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		<itunes:duration>8:26</itunes:duration>
		<itunes:summary><![CDATA[Addiction casts a spell. It can bewitch and beguile and create an illusory world within a world. It is a sort of theatre with a stage, performer and involuntary audience. For the closest of audience -- friends and family -- denial and hope prolong the painful drama. In "Black Magic Brother", Natalie Diaz describes the behavior of an addict and its effect in a family as a kind of sorcery. The poem comes from her 2012 collection, When My Brother Was an Aztec.]]></itunes:summary>
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		<title>Wake</title>
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		<description><![CDATA[With so many appeals for us to be happy all the time--and with these appeals usually advertised as products and services promising to help us achieve it--it's no wonder we feel so trounced by the very act of seeking. In "Wake" by Camille Rankine, from her collection Incorrect Merciful Impulses, we get a glimpse into the muscular effort pursing happiness demands of us. We see how acknowledging pain and grief--the seeming antithesis of happiness--is inherent in this effort. ]]></description>
					<category>Arts</category>
				<pubDate>Wed, 11 Dec 2024 10:16:00 +0200</pubDate>
				<podcast:season>0</podcast:season>
		<podcast:episode>0</podcast:episode>
						<itunes:title>Wake</itunes:title>
		<itunes:season>0</itunes:season>
		<itunes:episode>0</itunes:episode>
		<itunes:author>Hailey Gaunt</itunes:author>
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		<itunes:duration>7:59</itunes:duration>
		<itunes:summary><![CDATA[With so many appeals for us to be happy all the time--and with these appeals usually advertised as products and services promising to help us achieve it--it's no wonder we feel so trounced by the very act of seeking. In "Wake" by Camille Rankine, from her collection Incorrect Merciful Impulses, we get a glimpse into the muscular effort pursing happiness demands of us. We see how acknowledging pain and grief--the seeming antithesis of happiness--is inherent in this effort.]]></itunes:summary>
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		<title>In the Winter of my Thirty-Eighth Year</title>
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		<description><![CDATA[What is more elemental than the passage of time on our bodies? And yet growing older (a precondition of living, after all) comes with so many torments, frictions, denials. In W.S. Merwin's "In the winter of my 38th year", the poet wrestles with his own ideas about his years, drifting through the middle-of-the-night thoughts and fantasies, searching for some 'sense' to guide him through the dark. The poem can be found in Merwin's sixth collection, The Lice. ]]></description>
					<category>Arts</category>
				<pubDate>Sun, 06 Oct 2024 19:46:00 +0200</pubDate>
				<podcast:season>0</podcast:season>
		<podcast:episode>0</podcast:episode>
						<itunes:title>In the Winter of my Thirty-Eighth Year</itunes:title>
		<itunes:season>0</itunes:season>
		<itunes:episode>0</itunes:episode>
		<itunes:author>Hailey Gaunt</itunes:author>
					<itunes:episodeType>full</itunes:episodeType>
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		<itunes:duration>7:40</itunes:duration>
		<itunes:summary><![CDATA[What is more elemental than the passage of time on our bodies? And yet growing older (a precondition of living, after all) comes with so many torments, frictions, denials. In W.S. Merwin's "In the winter of my 38th year", the poet wrestles with his own ideas about his years, drifting through the middle-of-the-night thoughts and fantasies, searching for some 'sense' to guide him through the dark. The poem can be found in Merwin's sixth collection, The Lice.]]></itunes:summary>
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		<title>Twenty Couplets</title>
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		<description><![CDATA[Chinese poetry translator Bill Porter (aka Red Pine) describes translation as “standing between two worlds”—between the rigors of language and the artistry of interpretation. In this special interview episode Porter describes the tradition of rebel Chinese poets and reads “Twenty couplets” by Liu Tsung-yuan, found in Porter’s collection: Written in Exile: The Poetry of Liu Tsung-yuan. ]]></description>
					<category>Arts</category>
				<pubDate>Tue, 06 Aug 2024 21:00:00 +0200</pubDate>
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						<itunes:title>Twenty Couplets</itunes:title>
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		<itunes:episode>0</itunes:episode>
		<itunes:author>Hailey Gaunt</itunes:author>
					<itunes:episodeType>full</itunes:episodeType>
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		<itunes:duration>8:39</itunes:duration>
		<itunes:summary><![CDATA[Chinese poetry translator Bill Porter (aka Red Pine) describes translation as “standing between two worlds”—between the rigors of language and the artistry of interpretation. In this special interview episode Porter describes the tradition of rebel Chinese poets and reads “Twenty couplets” by Liu Tsung-yuan, found in Porter’s collection: Written in Exile: The Poetry of Liu Tsung-yuan.]]></itunes:summary>
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		<title>I Talk to My Body</title>
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		<description><![CDATA[Polish poet Anna Swir was called a 'poet of the body'. Her direct, intimate, visceral lines speak Feminist sensibilities without any note of rhetoric. "I Talk to My Body" is a bright, sharp anthem. ]]></description>
					<category>Arts</category>
				<pubDate>Thu, 06 Jun 2024 11:40:00 +0200</pubDate>
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		<podcast:episode>0</podcast:episode>
						<itunes:title>I Talk to My Body</itunes:title>
		<itunes:season>0</itunes:season>
		<itunes:episode>0</itunes:episode>
		<itunes:author>Hailey Gaunt</itunes:author>
					<itunes:episodeType>full</itunes:episodeType>
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		<itunes:duration>6:01</itunes:duration>
		<itunes:summary><![CDATA[Polish poet Anna Swir was called a 'poet of the body'. Her direct, intimate, visceral lines speak Feminist sensibilities without any note of rhetoric. "I Talk to My Body" is a bright, sharp anthem.]]></itunes:summary>
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		<title>The Snow Goes to the Gallows of a Warm Grass and What Survives</title>
		<link>https://iono.qa/e/1433783</link>
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		<description><![CDATA[As climate fears are born out, fear can become quiet acquiescence to the forces of nature seemingly too big to resist. With the acceleration of such loss--of species, of life as we know it--we can become alarmingly unalarmed. From her collection Soft Targets, Deborah Landau's poem intimately accounts for this insidious transformation. ]]></description>
					<category>Arts</category>
				<pubDate>Sun, 21 Apr 2024 20:48:00 +0200</pubDate>
				<podcast:season>0</podcast:season>
		<podcast:episode>0</podcast:episode>
						<itunes:title>The Snow Goes to the Gallows of a Warm Grass and What Survives</itunes:title>
		<itunes:season>0</itunes:season>
		<itunes:episode>0</itunes:episode>
		<itunes:author>Hailey Gaunt</itunes:author>
					<itunes:episodeType>full</itunes:episodeType>
				<itunes:image href="https://cdn.iono.fm/files/p3048/logo_7675_20250909_210508_1400.jpeg"/>
		<itunes:duration>7:52</itunes:duration>
		<itunes:summary><![CDATA[As climate fears are born out, fear can become quiet acquiescence to the forces of nature seemingly too big to resist. With the acceleration of such loss--of species, of life as we know it--we can become alarmingly unalarmed. From her collection Soft Targets, Deborah Landau's poem intimately accounts for this insidious transformation.]]></itunes:summary>
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